Henry Inman's 1841 painting,
Trout Fishing in Sullivan County, NY

by John Conway
April 4, 2014


Henry Inman was certainly not the first man ever to enjoy the quiet pursuit of trout in Sullivan County’s bountiful waters, but he surely provided us with one of our most enduring tributes to the popular pastime.

Although rarely seen today - the original was only fairly recently discovered, on “Antiques Roadshow” of all places, and hangs in the Munson-Williams-Proctor Institute museum in Utica, NY-- Inman’s 1841 oil painting "Trout Fishing in Sullivan County" was, in its time, the most renown landscape work of one of America’s most renowned artists.

Trout fishing in this area dates back at least to the days of the Lenape, who once inhabited the land from upstate New York to the present day state of Delaware. Although they preferred to fish for shad because of its many uses, the Lenape developed a rather unique method of fishing for trout, which utilized the bark of the walnut tree.

"The bark was crushed to a pulp to obtain the juices," Ed Van Put writes in his 1996 book, The Beaverkill, "This extract was then poured in the riffles at the head of a pool, and when it mixed with the water and was ingested, it drugged and stupefied the trout, causing them to come to the surface, where they were easily collected."

More conventional means of trout fishing were no doubt employed by the early European visitors to Sullivan County waters, who began arriving with the dawn of the 19th century. Van Put notes that when “American Turf Register and Sporting Magazine,” "the first (publication) of its kind in the United States, made its debut in 1829, the Beaverkill was already well known to trout fishermen."

The late historian, Alf Evers, writing in his 1972 book, “The Catskills: From Wilderness to Woodstock,” records that, "(I)n 1832 Charles Fenno Hoffman, who was then beginning a brief but notable career as poet, editor, and novelist, told of watching a six-pound trout being taken from Sullivan County’s White Lake." And Van Put quotes the following from an article in the August 1838 edition of “American Turf Register and Sporting Magazine” touting the beauty and bounty of Sullivan County streams.

"Make your headquarters at Mrs. Darby’s [sic] and you will be sure to find excellent accommodations, and capital fishing. The Williewemauk, Callikoon, and BeaverKill (sic), are three of the finest trout streams in this country; the trout are large, very numerous, and of the most delicious flavor."

About this same time, the young portrait artist Inman was familiarizing himself with the sporting opportunities the area offered. Inman was born at Utica on October 28, 1801, and moved to New York City with his family in 1812. He received an appointment to the U.S. Military Academy at West Point, but decided to pursue an art career instead, signing on for a seven-year stint as an apprentice to the portrait painter John Wesley Jarvis.

By 1823 Inman had set up his own studio on Vesey Street in New York, where he began painting portraits, miniatures and genre pieces. “The Dictionary of American Biography” notes that "many eminent sitters came to him. Few American portraitists since (Gilbert) Stuart have to their credit a more imposing list of distinguished patrons."

But Inman never lost his love of field and stream and his passion for fishing soon spilled over to his work. Many painters had been attracted to Catskill scenes by the success of Thomas Cole, and Evers notes that "landscape painter Asher B. Durand was painting and fishing from bases in local inns and farmhouses by the 1840s, and he was often accompanied by students who might acquire painting and fishing skills simultaneously." So when portrait painting commissions became fewer and farther between as photography was developed, Inman, too, turned to landscape art.

"No painter-fisherman was more enthusiastic about the Catskills than Henry Inman, the fashionable portrait painter who delighted in working on Sullivan County fishing scenes," Evers writes. "Upon Inman’s death in 1846 it was written that ‘in trout fishing especially he excelled...A more ardent, accomplished or delightful disciple old Izaak Walton never had. In throwing a fly or spinning a mirror, he had few equals.’"

Although, according to William H. Gerdts in his 1987 book, “The Art of Henry Inman,” the artist “never aspired to the sublimity of landscape that attracted his colleague Thomas Cole, nor did he find in the theme great spiritual revelation," his love for the scenic beauty and tranquility that went along with fishing was evident in his work about it. Gerdts writes that "unfortunately many of Inman’s essays into the genre remain unlocated, although his finest and most ambitious independent venture, “Trout Fishing in Sullivan County, New York” of 1841 has recently come to light."

It’s hard to imagine a more poetic and pictorial tribute to the sport that has long defined Sullivan County in the early springtime.     

John Conway is the Sullivan County Historian. He can be contacted by e-mail at jconway52@hotmail.com.

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